Guest Post by Morbo
I realize not everyone is a fan of “The New Republic.” Personally, I find it sometimes enlightening and sometimes exasperating. For a journal of political and cultural thought, that’s not a bad place to be.
Recently, TNR was bought by a CanWest, a Canadian media conglomerate that leans right. There are rumors that CanWest has told TNR’s staff that the magazine must become profitable within three years.
Fat chance. Policy magazines are usually subsidized and run in the red. If CanWest is serious, my guess is we’ll see the end of TNR within a few years.
For the time being, TNR’s new owners have beefed up the page count, launched a redesign and upgraded the paper quality. Before the magazine is bled dry, I urge you to check out two articles in the March 19 issue.
One is Andrew Sullivan’s review of Dinesh D’Souza’s repulsive book “The Enemy At Home.” Understand that I’m not always a Sullivan fan. But even when I disagree with him, I can’t help but admire Sullivan’s writing style. When he’s on, he’s really on. His review of D’Souza’s vomit-in-print is the best smack down I’ve seen of that unfortunate tome. Sullivan’s style is clear-eyed, calm and utterly devastating to D’Souza’s thesis. Take a look.
Also worth a read is Alex Heard’s piece on humorist David Sedaris. I concede that Sedaris is a very good writer, but every time I read something by him, I get the nagging feeling it’s at least semi-fictional. How could anyone’s life be this zany? How is it that everyone in Sedaris’ family and every person he has ever met is this colorful and full of quips?
Heard does some digging and proves that Sedaris’ books and articles, although marketed as non-fiction, contain made-up incidents, characters and quotes. (Unfortunately, Heard’s piece is behind TNR’s subscription wall.) Sedaris admits this to Heard.
Here’s what’s shocking: No one seems to think this matters.
Writing in The Washington Post, Peter Carlson ridicules Heard as some kind of rube. Carlson insists that other humor writers have invented tales and exaggerated over the years. He lists Mark Twain, James Thurber and Bill Cosby among them. Carlson calls Heard’s article “ridiculous.”
I’m not aware that Twain, Thurber or Cosby marketed their stories as non-fiction. While what they wrote might have been based on some real people, everyone knew they were slinging tales.
It’s different with Sedaris. He claims what he writes is non-fiction. It described that way by his publishers – yet it contains quotes people never actually said, incidents that never occurred and people who never existed. This is OK with Carlson because it’s humor writing.
I’ve long suspected this about The Post’s standards – that it’s perfectly acceptable to make up stuff for the sake of a better story. It’s good to see someone confirm it in print.
But pardon me for being from the old school. When I see quotes around a comment in an article portrayed as non-fiction, even in a humor piece, I assume someone actually said that. When I see incidents described in these articles, I assume they occurred. When characters are described in detail, I assume such people exist or once did. That’s what I was taught when I studied journalism. The rules don’t change for articles and columns simply because they are written to make readers laugh. This stuff either happened, or it did not. If the former, it’s legitimate journalism; if the latter, it’s something else.
An active imagination is fine. If you want to make up wacky characters and outrageous situations, there is a genre that allows for that. It’s call “fiction.”
(By the way, Heard once wrote a hugely entertaining book about people with weird beliefs about the end of the world. It’s called “Apocalypse Pretty Soon,” and I assume none of it is made up. It’s worth a look.)