‘The Path to 9/11’ — Day 8

ABC is on the defensive, and the network is taking steps that look like backpedaling, but “[tag]The Path to 9/11[/tag]” docudrama remains a political problem.

Under growing pressure from Democrats and aides to former President Bill Clinton, ABC is re-evaluating and in some cases re-editing crucial scenes in its new [tag]mini-series[/tag] “The Path to 9/11” to soften its portrait of the Clinton administration’s pursuit of Osama bin Laden, according to people involved in the project.

Among the changes, [tag]ABC[/tag] is altering one scene in which an actor playing Samuel R. Berger, the former national security adviser, abruptly hangs up on a C.I.A. officer during a critical moment in a military operation, according to Thomas H. Kean, a consultant on the ABC project and co-chairman of the federal Sept. 11 commission.

Mr. Berger has said that the scene is a fiction, and Mr. Kean, in an interview, said that he believed Mr. Berger was correct and that ABC was making appropriate changes.

It remains to be seen just how substantive these changes are, and whether the revisions are sufficient to offer viewers something close to reality. Let’s not forget, an ABC insider told Hugh Hewitt, a far-right blogger, that conservatives need not worry — any changes that are made will be superficial and not alter the point of the fiction. Specifically, Hewitt was told that the changes, referred to as “tweaks,” will be so inconsequential that the “average viewer would not be able to tell the difference between the two versions.” More importantly, the ABC source told Hewitt, “The message of the Clinton Admin failures remains fully intact.”

That, of course, was a couple of days ago, before this controversy became a major political story. It’s possible that ABC may be far more concerned with accuracy now than it was before this story broke in a big way.

For what it’s worth, the controversy shows no signs of slowing down.

* Scholastic’s on-again, off-again connection to this project officially ended late yesterday, when the educational media giant announced that it is dropping the classroom materials it had intended to distribute to classrooms about the [tag]movie[/tag]. Scholastic’s CEO said the company concluded that the materials “did not meet our high standards for dealing with controversial issues.” The company, however, will replace the materials with new lessons stressing critical thinking and media literacy, including an exploration of what a “[tag]docudrama[/tag]” is and the differences between factual reporting and a dramatization.

* Tom Kean Sr., the Republican who chaired the 9/11 commission and is a co-executive producer of the film, told the WaPo, “I know there are some scenes where words are put in characters’ mouths. But the whole thing is true to the spirit of 9/11.” I have no idea what this means. It’s inconsistent with the facts of 9/11, but it’s true to the spirit of 9/11? Someone’s going to have to explain that one to me.

* Senate Democratic leaders, including Sens. Reid, Durbin, Stabenow,
Schumer, and Dorgan, wrote a very hard-hitting letter to Disney President and CEO Robert Iger yesterday.

* The DNC drew more than 100,000 signatures in 24 hours to a petition of complaint that it plans to give to ABC today.

* Clinton’s former Defense Secretary, William Cohen, a Republican, denounced the film’s fictional claims during an interview on CNN yesterday.

* ABC’s news division wants everyone to know that it had absolutely nothing to do with the docudrama.

* Richard Miniter — conservative author of “Losing bin Laden: How Bill Clinton’s Failures Unleashed Global Terror” — confirmed yesterday that scenes from the movie are based on “Internet myth.”

* Barbara Bodine, the U.S. ambassador to Yemen from 1997-2001 and a visiting scholar at MIT’s Center for International Studies, has an LA Times op-ed today in which she describes the movie as “bunk.”

* Actor Harvey Keitel, the star of the docudrama, acknowledged yesterday that he, too, has concerns about the accuracy of the material, suggesting that some of the scenes “distort reality.”

* And Michael Froomkin explores the possibility of ABC committing libel with the movie. “If I were at ABC or Disney I’d be having a serious talk with my lawyers right about now,” he said.

Stay tuned.

Tom Kean Sr.: “I know there are some scenes where words are put in characters’ mouths. But the whole thing is true to the spirit of 9/11.”

That would be Bushites never take blame or hold their own accountable for any of their failures. It’s always someone else’s fault. They even blame Ronald Reagan, for God’s sake.

A greater collection of pussy wimp playground bully cretins has never been collected than the Bushites and their leader Boy George II.

  • I guess the Rat folks, er, Diznee would rather be like Bush and ignore the memo from Aug 6, 2001 titled: “Bin Laden determined to attack US.”

  • “It’s possible that ABC may be far more concerned with accuracy now”

    Are pigs flying? Has Hell frozen over? Has George Bush done an honest day’s work or gone a day without lying? Bottom line: ABC and Disney Corp want bucks and will do whatever it takes to get them.

    I plan to “tweak” ABC’s “product” by watching a real movie or reading a book.

  • It’s noteworthy how effective the backlash against this film has been in and how much air time this has been given, at least on CNN and MSNBC. Even Bill Bennett has come out saying misrepresentation is unacceptable. Hell may not have frozen over but there’s one heck of a draft down here.

  • The interesting thing about Sullivan v. New York Times – the part that leads Froomkin to advise Disney to consult their lawyers – is that there is a way around the “public person” defense, and that is “reckless disregard of the truth.” Everything thing our Persian Putz, Cyrus Nowrasteh, has said (how a schmuck like him got a PEN award is beyond me, if you look at the two episodes of “Into The West” he wrote, his hackery is self-evident, as it was in “The Day Reagan Was Shot,” which he wrote and directed and Republicans loved) in all the interviews he gave far right bloggers shows he had a point of view to begin with and “damn the facts, full speed ahead!” That, my friends, is what constitutes “reckless disregard of the truth”, and it’s not “protected speech.” The nice thing for his career is that he’s now “radioactive,” and not just to the “Hollywood far left” he’s so committed to opposing – when you get your ass in the wringer like this, more importantly, when you get the network’s ass in the wringer like this, you suddenly find your phone stops ringing, and then shortly later you’re looking for a new agent.

    What’s really nice is that when he submitted the script, he had to sign a certificate that what he submitted was his own work and was accurate, and that he holds the studio “harmless,” – this is the Certificate of Authorship all screenwriters have to sign. And it means that when Clinton brings his lawsuit, Cyrus will be personally on the line for damages, no insurance covering him. I’d be transferring title to my house in the Hollywood Hills to my wife today, if I was he, but he’s such an arrogant little shitbird he won’t. Too bad for him (evil laugh on my part).

  • The proverbial [uproar] hit the fan when this story hit the news cycle on the network evening news (NBC, in my case) last night. The story continued this morning on the Today Show. Hooray!

    And now comes word that Scholastic has punted this crap out the door! Hooray! Hooray! Hooray!

    With apologies to Dylan Thomas: We must continue rage, rage against the lying of the right.

  • editing scenes in the path to 9/11 is fine

    but

    the propaganda,

    the naked propaganda

    is in the TITLE of the film.

    the connection of “path” and the Clinton administration will last in some minds no matter how many scenes abc changes.

    the implication that the clinton administration is responsible for the sept 121, 2001 attack in new york is false. just false.

    the film needs to be RENAMED or pulled.

    Comment by orionATL — September 8, 2006 @ 9:51 am

  • CORRECTION:

    With apologies to Dylan Thomas: We must continue *** to *** rage, rage against the lying of the right.

  • “The message of the Clinton Admin failures remains fully intact.”

    This was also before Scholastic dropped out under heavy pressure. The dynamics have definitely changed.

    the film needs to be RENAMED or pulled.

    Renaming won’t help. Based on the E&P review, the whole 1st half deals with the Clinton administration’s lackluster response to Al Qaeda, and most of the 2nd half deals with the hijackers themselves. I doubt they have enough Bush administration footage to significantly change the movie.

    Bottom line: regardless of how much they re-edit, this movie was shot as an indictment of Clinton and his subordinates, and editing can’t change that. Pulling it is the only just remedy.

  • “The spirit of 9/11”!? The spirit of a terrorist attack isn’t something we should be promoting.

    This rebranding of 9/11 as a great day for the United States — a day that should be celebrated as Patriot Day, with parades and concerts — is insane. Fortunately people were a little more rational (at least on this point) during World War II, so we don’t have annual Pearl Harbor Day picnics.

  • I’m glad that the pushback against this piece of corporate propaganda filth has gained momentum, and I hope it continues.

    But I’m still not sure that all that many folks are going to watch over the option of football on both nights.

  • If this is “docu-drama” and is fully disclosed as such (note it has never been sold as a purely factual documentary) and is pulled based on pressure from politicians, isn’t this a form of censorship that you folks on the left so much detest?

    If we start censoring this form of entertainment (that is what a docu-drama simply is – entertainment) where do we stop??? I mean what would you have thought if Fahrenheit 9/11was pulled from theaters because the right wing complained jor if the JFK conspiracy flick wasn’t released? Just let it run and blow holes in its factual integrity after you see the movie… but for politicians to demand that that a movie be pulled, that is a slippery slope that I don’t want to go down.

    I, even though I lean right and work in Manhattan and even knew a couple people who died in the disaster, have no interest in seeing the movie, so I won’t watch it. I suggest you all exercise your right and do the same vs. demanding ABC pull the movie. That way you’ll hit Disney/ABC where it really hurts, its wallet.

  • I doubt any amount of reediting is going to make it acceptable. ABC is screwed.

    Back in 1983, there was a much ballyhooed telemovie called “The Day After” depicting in pretty graphic terms the effects of a major thermonuclear exchange with the then Soviet Union. The movie was seen (correctly) as a political response to Reagan Administration saber rattling. Unlike the current case, there was no direct defamation directed against named public officials (the movie was fictionalized and was shown from the vantage of ordinary americans rather than of the national leadership).

    In spite of this, the right howled very loudly, got the networks to include them in discussions to follow the movie, and also forced them to create a ridiculous miniseries called “Amerika” depicting the U.S. after a military defeat at the hands of the Soviet Union. The miniseries was much longer than the telemovie, albeit much less watched.

    If ABC goes ahead with showing this thing, then there’s a chance sufficient pressure could force the production of a counter-programmed piece showing the full story, as oppsed to this piece of rightwing agitprop.

  • JRS Jr, it wasn’t sold as a documentary, but it was certainly sold as factual, and “based on the 9/11 report”, which it wasn’t.

    In addition, if ABC were showing “Fahrenheit 9/11” the right wing would have already gotten it pulled. There’s a difference between having a film on a major network (and encouraging teachers to use it in their classrooms) and having it in theaters, where people choose to pay to see it. If “The Path to 9/11” were a theatrical release, the reaction would be completely different.

  • I have no idea what this means. It’s inconsistent with the facts of 9/11, but it’s true to the spirit of 9/11? Someone’s going to have to explain that one to me.
    Others have already given explanations. Now let me give it a shot. The “spirit of 9/11” should be read as a reference to the polictical exploitation of this tragedy by BushCo. In that sense it is true to the “spirit of 9/11”.

    Another question, why is Kean even involved with this project. If he is listed as an executive producer that means that he stands to gain financially from it, at least that is my understanding of what be a producer means. Why is he exploiting 9/11 for his own financial gain?

  • If this is “docu-drama” and is fully disclosed as such (note it has never been sold as a purely factual documentary) and is pulled based on pressure from politicians, isn’t this a form of censorship that you folks on the left so much detest?

    Comment by JRS Jr

    Nope, because this is about lying, not opinion.

  • rege: The “spirit of 9/11” should be read as a reference to the polictical exploitation of this tragedy by BushCo. In that sense it is true to the “spirit of 9/11”.

    damn straight, dude.

    why is Kean even involved with this project. …Why is he exploiting 9/11 for his own financial gain?

    cause he was head of the 9/11 commission and approved the bullshit report? just a guess.

  • JRS Jr., I think your concern is a valid one, but there are two issues that we have that I think are valid as well. One is what I would call the “misleading advertising” angle, which can’t result in “censorship” as that term is usually used because false advertising is not protected speech. The creators and ABC initially trumpted this — until they got called on it — as a neutral, factual presentation of the 9/11 Report. That was simply a lie and as such is not protected, and it also causes real concern where the public is already woefully miseducated on 9/11.

    The second problem is that the four “over-the-air” networks use a scarce public resource, broadcast spectrum, for free. As a result, their licenses appropriately have a “public interest” component. The law is fairly clear that a public facility cannot discriminate on viewpoint; if one group is allowed to speak, others must be as well. The best example is that a public high school can choose to let no groups meet after hours in the building, but once it lets some, it cannot discriminate: if Fellowship of Christian Athletes can use the building, so can the Gay-Lesbian Student Alliance.

    The free use of public spectrum should require a similar result for the four networks. This is not cable, or a movie theater, or printed work. If ABC is showing this, it should also show the Clinton rebuttal. Yet the Big 4 routinely refuse to run, for example, MoveOn ads (while running millions of dollars of ads for the US Military or the “Harry and Louise” ads of the big insurance industry). This is a real problem: you raise the ghost of censorship, but that cuts both ways — how can the networks using vast swaths of public spectrum for free and in the “public interest” then “censor” programs or advertisements from the left? This inequity I think is a legit issue we are raising, one that your concerns do not address.

  • JRS Jr.

    Fahrenheit 911 was “censored,” in fact by the same corporate leadership that produced “Path to 9/11”, when Miramax refused to distribute it. Moore had to go to independent distributors.

    No one is saying “Path to 9/11” can’t be seen. If the producers want to try their luck with a theatrical release, or go direct to video the way the Robert Greenwald movies do, there’s nothing to stop them. The objection here is that ABC created what amounts to an unpaid commercial for a political party (which commits defamation as part of its message) and intends to use the public airwaves to broadcast it. Sorry, not kosher.

  • “It’s inconsistent with the facts of 9/11, but it’s true to the spirit of 9/11?”

    Rove 101- distort the facts to create an ugly apparition to anger and frighten voters.
    “The spirit of 9/11” sounds like something that would visit Scrooge late in the night and it certainly has visited ABC.

  • Kean Sr. could have showed how savvy he really is had he just said “well, it may not be entirely the truth, but it is full of truthiness.”

    And I think it is legit for us to be concerned that, if broadly-watched, this hatchet-job could create wikiality.

    Really, given the times, what would we have done without Colbert?

  • KC you forgot to mention this part of the ABC diclosure as well… “ABC says the movie is a dramatization with fictionalized scenes, CBS News senior White House correspondent Bill Plante reports…”

    Here’s some help with the meanings of dramatization and fictionalize:
    dram‧a‧ti‧za‧tion  –noun 1. the act of dramatizing. 2. construction or representation in dramatic form. 3. a dramatized version of a novel, historic incident, etc.

    and just in case you don’t know the definaition of dramatize…
    –verb (used with object) 1. to put into a form suitable for acting on a stage. 2. to express or represent vividly, emotionally, or strikingly: He dramatizes his woes with sobs and sighs. –verb (used without object) 3. to express oneself in a dramatic or exaggerated way.

    fic‧tion‧al‧ize 
    –verb (used with object), -ized, -iz‧ing. to make into fiction; give a somewhat imaginative or fictional version of: to fictionalize a biography.

    It’s pretty clear to me that this is not a factual representation of the events leading to 9/11. Sure it’s based on some facts (i.e., it is a fact that 9/11 occured, Clinton was president thru 2000, Bush was President in 2001, etc…).

    Now if your child’s school district or teacher buys this crap from Scholastic or Disney for “teaching purposes”, then you should take the issue up directly with them… but please, please don’t censor the media!

    And I hate to bring this up but… so many of you on this very site blasted Lieberman for promoting censorship a few years back… aren’t you being a bit hypocrytical on this case of censorship?

  • JRS Jr, you’re mixing up the way the film was described when initially announced with the way it’s being described now. Of course ABC has backpedaled.

    It is hardly censorship to object to a six-hour political propaganda broadcast on a major television network with no opportunity for those attacked to respond. Are you engaging in censorship by suggesting we stop voicing our objections and lie back and enjoy it?

  • I may have missed it, but Oprah Winfrey owes us a statement as to whether she believes the national broadcast station she is contracted with should be allowed a pass when it comes to historical accuracy. She already has a shiner for endorsing a fictitious autobiography. I think it is important to her synergy to come out and make a clear statement on this ABC fiasco. -Kevo

  • “If we start censoring this form of entertainment (that is what a docu-drama simply is – entertainment) where do we stop??? I mean what would you have thought if Fahrenheit 9/11was pulled from theaters because the right wing complained jor if the JFK conspiracy flick wasn’t released? Just let it run and blow holes in its factual integrity after you see the movie… but for politicians to demand that that a movie be pulled, that is a slippery slope that I don’t want to go down. ”

    [JRS jr]

    Your point is well stated. For the record, I object to the concept of a “docu-drama.” It is another way of saying “fiction built on a fact,” which in my book is just plain fiction and should be labled as such. Call it a drama and leave it at that. The “docu” part is an attempt to invest fiction with a legitimacy it does not deserve. I would have the same problem with a “docu-drama” that portrayed Bush plotting with OBL to knock down the World Trade Center buildings. But that is just me being a nerd about language.

    I do share your distaste for the idea of political pressure being used to put this piece of garbage where it belongs. (I would distinguish this from a polititian saying “This is garbage” because that is the expression of a personal opinion.) However, I also disagree with the idea of a broadcasting corp. being punished by the government if it allows a naughty word or a blink-quick flash of a breast to float out over the airwaves. No harm, no foul, say I. (But that’s just my crispy conservative core peeking through my squishy liberal coating.) For the same reason, I think any other form of pressure, be it in the form of boycotts, nasty letters or giving Bob Iger the finger is perfectly acceptable and perfectly American.

    The way I see it, ABC and other broadcasting corps are merely reaping what they have sown over the past few years. They have been more than willing to roll over (or bend over) when pseudo-conservatives decide to throw conniption fits instead of turning off the magic talking box. But now, after saluting when ever some “Family Values” group wags a finger, ABC suddenly discovers it has the right to show what it wants and how dare anyone say otherwise? Yeah. Sure. Bite me Bob. That is one of my key reasons for thinking ABC deserves a spanking for its role in this fiasco.

    And now that people are pushing from a direction ABC might not have expected I am waiting to see if ABC/Disney is run by a pack of cowardly hypocrites or a pack of pseudo-conservative hypocrites.

  • “isn’t this a form of censorship that you folks on the left so much detest?” – JRS jr

    Now here I was under the impression that you were supposed to be a good little Democrat who supported Joe Lieberman who is a good little Democrat too. Is that not so?

    Bill Clinton’s administration is the DLC’s great achievement. You want the rodents at Disney to lie about it?

    You must be a lot less real that you claim.

  • What about the Ronald Reagan biopic that had the right wingers all in a tizzy? Is there anything substantively different between that one (which was eventually aired on Showtime) and this “Path to 9/11” nonsense?

  • Calling a misrepresentation of the facts a misrepresentation of the facts is not censorship, it is a demand for excellence in scholarship. Substituting lies for truth is not art or free speech, it is propoganda. Propoganda should not be aired on public airways, and should not be taught in the classroom of public schools (at taxpayers expense) with a well know book publisher facilitating. ABC’s decision is shameless and has little to do with free speech. I’m glad they were caught. If they want to show the film, they should put it on Showtime or in public theaters, and not violate the public trust.

  • Is there anything substantively different between that one (which was eventually aired on Showtime) and this “Path to 9/11” nonsense?

    For starters, a huge substantive difference is that ABC uses public airwaves for its broadcasts and Showtime uses private cable networks.

  • JRS Jr.

    a commenter above states “I would have the same problem with a “docu-drama” that portrayed Bush plotting with OBL to knock down the World Trade Center buildings.

    would you? Assuming you are consistent, I’m guessing not. Please confirm. And of course, you would have been fine with such a “docudrama” airing 2 months before the 2004 election, right? If not, why?

  • Lance, for the record, I am a moderate GOP member and have voted across party lines all my life, although in all honesty my average voting record has leaned right. That said, I am a CT resident and I like what Lieberman has done for my state and agree with many of his political choices and thus I have always supported him, including in 2000 when I voted against him as a VP candidate but for him as our US Senator.

    Edo, I had a big problem with CBS pulling the Reagan Drama a few years back due to the right wing’s complaints…. and I am a Reagan fan.

    KC You can bitch all you want about the untruths of the fictionalized movie — I’m not trying to censor that, but I don’t want you or your party leaders to have the ability to pull it off the airwaves.

  • If this is fictionalized, JRS, why isn’t the President (or both presidents) named in this story “William Richard Clifton” and “Gerald W. Mush” or something? Make the whole thing up, then. Nobody’s getting upset about Primary Colors, which was abouta guy named Jack Stanton who sounded and acted like Bill Clinton. But you’re telling me by putting out bald-faced lies about 9/11 — 9/11, mind you — that we should just shut up and lie down and take it? There’s plenty of reasons to hammer Clinton on 9/11 without making up scenes where they have him surrounded and Sandy Berger just says “Well, never mind.”

    I mean, c’mon. That’s just crazy talk. And a network doing a 6-hour docudrama, produced with all the ads that talk ab0ut the 9/11 commission report and Tom Kean’s endorsement, seems to be advertising itself as something that represents a factual account of what happened and not a hit piece on the Clinton folks.

    And yes, the main criticism, which you haven’t addressed, is that it’s 6 free hours of airtime on the public airwaves. Release this in theaters, and nobody gives a darn, or even on cable.

  • ABC has announced that the following statement will air
    throughout the broadcast:

    “The following movie is a dramatization that is drawn from a
    variety of sources including the 9/11 Commission Report and other
    published materials, and from personal interviews. The movie is
    not a documentary. For dramatic and narrative purposes, the movie
    contains fictionalized scenes, composite and representative
    characters and dialogue, as well as time compression.”

    Allow me to tell you, as a professional screenwriter, that
    the parts of a story one chooses to tell are crucial to what the
    story is. I could write in a movie a scene that has Harry using a
    hammer, with the next scene being Susie being found having been
    killed by a hammer. Juxtaposing the two that way would lead you,
    the viewer, to conclude that Harry killed Susie with the hammer.
    If, however, I put in a scene between those two scenes that shows
    Harry finishing his project with the hammer and putting it away,
    and then going out with his buddies, the impression you the
    viewer would have would be that Harry did not kill Susie with the
    hammer. It’s “Screenwriting 101″ that “shuffling the scenes”
    (writers used to actually do this, with the scenes listed on 3×5
    cards) changes the movie completely.

  • Center For American Progress, which has the “Tell ABC” site, has asked people to contact Senator George Mitchell, the Chairman of the Board at Disney, and ask him to get “9/11” pulled.

    His e-mail is: george.mitchell@dlapiper.com

    They say be nice and polite. Here is what I wrote to him (and yes, the “soft soap” is intentional):

    Dear Senator Mitchell:

    I am writing you about the upcoming broadcast of “The Path to 9/11.” Not only are you the chairman of the Disney board, but I have always admired your work in politics and your demonstrated, long-term committment to not only the best interests of our country, but to its ideals as the genuine patriot you are.

    “The Path to 9/11” serves neither the best interests of our country, nor our ideals. I am sure you remember, as I do, the mood of the country five years ago in the wake of these terrible events. We wanted to come together as Americans, regardless of party, and unite to defend our country. What we have gotten in the past five years is nothing but lies and distortion about our response to these events, and cynical, manipulative use of these events to divide us rather than unite us, to promote the interests of one political party at the expense of another, to denigrate the committment to our country of Americans who fail to agree with this agenda. “The Path to 9/11” is another brick in that wall of division.

    I know, Senator, that you have already heard from many people about the problem of the distortions, inventions and outright lies that are promulgated in this broadcast. I am a professional screenwriter, and I would like to point out to you just how this distortion happens. ABC even officially describes it!

    ABC has stated they plan to run the following statement during the broadcast:

    “The following movie is a dramatization that is drawn from a variety of sources including the 9/11 Commission Report and other published materials, and from personal interviews. The movie is not a documentary. For dramatic and narrative purposes, the movie contains fictionalized scenes, composite and representative characters and dialogue, as well as time compression.”

    Allow me to tell you, as a professional screenwriter, that the parts of a story one chooses to tell are crucial to what the story is. I could write in a movie a scene that has Harry using a hammer, with the next scene being Susie being found having been killed by a hammer. Juxtaposing the two that way would lead you, the viewer, to conclude that Harry killed Susie with the hammer. If, however, I put in a scene between those two scenes that shows Harry finishing his project with the hammer and putting it away, and then going out with his buddies, the impression you the viewer would have would be that Harry did not kill Susie with the hammer. It’s “Screenwriting 101” that “shuffling the scenes” (writers used to actually do this, with the scenes listed on 3×5 cards) changes the movie completely.

    This is what is being done with this show.

    As the Chairman of the Board of Disney, Senator, it is your fiduciary duty to watch out and take actions for the ultimate long-term best interests of the company and the stockholders. Please, sir, consider that a broadcast that divides and angers people, that makes them think more negatively about the company that presented such a thing, is not the way to sell the Disney brand to those who visit theme parks, go to movies and buy DVDs, or watch television. ABC is already in trouble with shows that haven’t worked, and does not need to further antagonize viewers. Many people are talking about dumping their stock in the company in protest of this broadcast. These cannot be things that promote the long-term best interests of the Walt Disney Corporation.

    In closing sir, I want to refer to history. You and I are old enough to have lived through much of what I intend to mention, and you know as well as anyone and better than most what the perncious results of these events 50 years ago were on our political institutions and government. I cannot believe that, having gone through that, you would want to do anything that would promote its recurrence.

    The reason this matters so much is that popular culture has a way of inculcating certain concepts into people’s minds, especially young minds, far more effectively than talking head programs or earnest debates among political bloggers and columnists. The purpose of “The Path to 9/11” can best be compared to the “who lost China” and “who sold out at Yalta” campaigns of the late 40’s. The Right made political hay for decades out of those false charges, blaming the Democrats for being soft on communism, which set the stage for the next 50 years of full throated accusations of traitorous cowardice. We are dealing with the residual results of that cynical political calculation even today, as I am sure you see clearly.

    If this nonsense is allowed to continue, we will be battling these inaccurate demagogic, phantoms for another 50 years. I for one feat the country will survive it. These new right wingers make the red-baiters of the 50’s look like Sunday School students. This is the same formula that killed over 50,000 Americans in Vietnam and it’s going to do far worse this time if we let it happen again.

    Please Senator Mitchell. This is an event where your responsibilities as the Chairman of the Board of Disney, the ideals and beliefs you have championed throughout your life, and your duty as a patriotic citizen come together at one point. To support your beliefs, to act as a patriot, is to protect the long-term interests of the company whose board you chair.

    Please don’t make the fifth anniversary of something that should have united us as a country an event that divides us further.

    Best personal regards,

    Thomas McKelvey Cleaver

  • “Lance, for the record, I am a moderate GOP member and have voted across party lines all my life, although in all honesty my average voting record has leaned right.” – JRS Jr

    Then, like George Will, you feel you can tell Liberals how to be liberal while at the same time claiming the liberalism is akin to treason?

    Please, save your breath. If Joe pleases you. All well and good. As for the rest, yes, we believe that ABC should not shroud its lies with claims that they are factual or just dramatized.

    As Danial Patrick Moynahan (sp) said, “we are entitled to our own opinions, but not to our own facts.”

  • Tom Cleaver: “The following movie is a dramatization that is drawn from a variety of sources including the 9/11 Commission Report and other published materials, and from personal interviews. The movie is not a documentary. For dramatic and narrative purposes, the movie contains fictionalized scenes, composite and representative characters and dialogue, as well as time compression.”

    better be a LOUD voiceover otherwise viewers will be off in la-la land, or taking bathroom breaks or getting their next beers or whatever. if it’s in text like on a title-card, forget it.

  • “For dramatic and narrative purposes…”

    Yeah, because the day wasn’t dramatic enough.

    Here’s what they should say: “For the purposes of using a national tragedy to make a fast buck, ABC allowed the producers of the following program to lie about how the national tragedy came about in order to present the national tragedy in away that makes the producers feel better about the whole thing. Now, sit back and enjoy six commercial-free hours, brought you by sick wanks who will use anything, including dead Americans, to shove their political views down your throat.”

    Do you think that would hurt the ratings?

  • Lance, I didn’t realize that this was a Dem only blog! I guess you’d rather particpate in a blog where you Dems hug each other and sing kum-bai-ya without having thoughtful discussion.

    I’m not telling you how to be liberal, I’m telling you how to be an American by not censoring fictional content on TV.

  • JRS Jr: I’m not telling you how to be liberal, I’m telling you how to be an American by not censoring fictional content on TV.

    this would be fine w/me if so many others didn’t believe the bu$hCo-begun bullshit already out there, and they’re not being aware of the cheneys’s political and financial capitalisation of th’ day that changed ever’thin’.

  • JRS Jr, just give it up, dude. The ABC thing is propanda, pure and simple. Your plaintive cries about censorship are, at best, misplaced.

    Right this very minute, we are heading into election season, and the politics of fear are an unavoidable part of the mileu. ABC’s distortions and outright fabrications would feed the public’s continued misunderstanding of the verifiable facts, and that would undoubtedly impact their perception of the two major parties. The timing, the venue, and the content, all indicate a serious miscalculation by the brass at ABC, and they are paying the price. A large part of that price is being extracted directly by their consumers, and that’s hardly censorship. Given the intense and sizeable response, the fact that this has now gained some real political momentum should not surprise you.

  • Please handle the C word with care.
    Anything that stops short of the government saying: “If you do this you will be punished,” is not censorship.
    For example, if a group of Senators pass a bill to pull ABC’s license to keep it from running the show: Censorship. An FCC fine for broadcasting the F word: Also censorship.
    People writing ABC to say “Knock it off you liars,” is not, and can never be, censorship, even if ABC does flush this six hour bout of assery.
    There is nothing to stop ABC from airing this disaster about a disaster. Of course, if it does run it and people do launch a massive boycott and the company suffers finanically, that’s just the wonder of market forces at work. It is not censorship.
    On the other hand, ABC can not get out of paying a fine to the FCC if one of the actors says a dirty word.
    See the difference?

  • Regardless of what you write in this liberal tripe blog, Slick Willie was playing hide the cigar with Moaning Monica while Bin Laden was planning .

  • i just woke up (6,45 BST) and saw the above: Regardless of what you write in this liberal tripe blog, Slick Willie was playing hide the cigar with Moaning Monica while Bin Laden was planning.

    yep, i admit it — it’s ALL Clinton’s fault! much much worse than ignoring ‘bin Laden determined to strike w/i the US’ as well as lying to ‘we the people’ about WMDs or whatever the reason of the day is for why we’re in Iraq (shhhh, the oil but don’t tell anyone).

    to the Hague w/that bastard Clinton (and his 8 years of peace and prosperity) and pronto!

  • Lance, I didn’t realize that this was a Dem only blog!
    Comment by JRS Jr (@39)

    It’s not. Unlike some (most?) right-wing blogs (where you obviously belong), we let you have your say, and don’t censor out any of the nonsense you choose to spout.

    Regardless of what you write in this liberal tripe blog, Slick Willie was playing hide the cigar with Moaning Monica while Bin Laden was planning .
    Comment by We the People (@43)

    “Slick Willie” (as you call him) managed to feed his cigar to Monica with one hand and steer the country onto the right course with the other. Your chimp, OTOH, can’t keep his mountain bike on a straight course, even with both hands.

    Clinton managed to get the perps of terrorist attacks (those which happened on his watch; he can’t be held responsible for all future attacks. Might as well blame Bush 41, or Reagan. Perhaps with more reason, too) arrested, tried and convicted. What has 43 done? Catch trout, cut brush and ride around on his bike, yelling “air assault”… Oh, and he’s created a terrorist breeding-ground in Iraq, while leaving us bare-ass-to-the-ice at home. *Some* achievement on the security front.

    If you think Osama was so important… That Clinton should have nailed him — 3yrs before 9/11, when the plans might (or might not) have been laid… How do you excuse the inaction of the Bush-cutter when the plans were nearing fruition and *reported as such* to the asshole-in-chief? What was *he* doing??? Puffing on his own cigar?

    Pfui. Both to your argument and your sex-obsessed, dirty mind.

    PS While I’m happy to see that CB is (evidently) rising enough in stature to merit *three* trolls in one day, I wish they’d send us some with brains and better command of English…

  • BTW, ‘we the people’ (hah—as fucking /if/) why the hell can’t y’all ‘move on’ from the Clinton thing like we’re told to do about everything bu$hCo fucked up on?

  • Libra, if I start singing kum-bai-ya and give you a hug, can I stay on this blog instead of being thrown into the den of the right wingers?? Please!!!!

    Orange, as I have said before, you guys can write all you want to get this crap from being played on ABC… that is your right and in fact represent the market forces at work in the media industry.

    I just don’t want Senators (aka Reid’s letter) or other politicians getting involved (unless they were personally misrepresented in the movie, of course). If politicians get involved here, what’s stopping them from going further and getting involved in a little less contoversial programming…

    Now if any of you are saying this programming should be pulled because the American public is not smart enough to separate fact from fiction (Witness GP’s comment), all I ask is “who the hell are you to make that judgement??”

  • JRS jr: If any of you are saying this programming should be pulled because the American public is not smart enough to separate fact from fiction (Witness GP’s comment), all I ask is “who the hell are you to make that judgement??”

    i shall step up and answer that: those i know who read news online are a far fewer minority of people (and far better informed) than those who are offline and get their infotainment, i mean ‘news’ from corporate media. it’s not that they’re not bright enough (though sad to say, a lot of them aren’t); it’s just that they’re sadly misinformed and believe everything corporate media tells them to believe (‘duh, i read it in the paper and/or saw it on fox so it must be true’). think Tony Snowjob.

  • as well, from Bob Kerrey who was on the 9/11 Commission: The 9/11 report in chapter eight says that, in the summer of 2001, the government ignored repeated warnings by the CIA, ignored, and didn’t do anything to harden our border security, didn’t do anything to harden airport country, didn’t do anything to engage local law enforcement, didn’t do anything to round up INS and consular offices and say we have to shut this down, and didn’t warn the American people.

    The famous presidential daily briefing on August 6, we say in the report that the briefing officers believed that there was a considerable sense of urgency and it was current. So there was a case to be made that wasn’t made…’

    is that shit gonna be in this craptastic programme?

  • I didn’t see all these Clinton apologists, or any of the dems for that matter, whining and raising such a fuss when Michael Moore was spewing his hateful lies. What is most alarming to me, however, is how gleefully, and with little thought to the consequences, these whining nitwits are ignoring the use by Senate Democrats of their position to intimidate ABC with regulatory retaliation and thus denying to that entity the right of freedom of speech. The lot of you are defecating on the 1st Amendment.

  • A better movie to be made would be the movie about the makings of the 9/11 commission report. Sandy Berger stealing and destroying documents would make a wonderful scene for television. Maybe someone could tell us exactly what was written on those destroyed documents. There is so much to explore, and if absolute truth is the requirement to an acceptable “docudrama”, the truth about Sandy Berger and the destroyed documents would be a service to this nation and great entertainment.

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