The political implications of box-office receipts (or the lack thereof)

I tend not to pay too much attention to Hollywood news, better yet the details of box-office receipts, but apparently, conservatives have been closely following opening-weekend numbers for politically-themed movies. And they want to gloat.

According to the AP, “Bee Movie” was #1 this week, followed by “American Gangster,” and “Fred Claus.” Coming in fourth was “Lions for Lambs,” which made only $6.7 million, despite having been directed by Robert Redford, and co-staring big names like Redford, Tom Cruise, and Meryl Streep. I haven’t seen it, but the AP said the drama features “three [interlocking] stories in the war on terror.”

Apparently, the movie approaches the subject from a progressive point of view, which makes the right deliriously happy, now that the film didn’t do well in its opening weekend. One far-right blogger bragged:

Memo to Hollywood…we don’t hate America as much as you do. Want to make some money? Make a movie where Americans are the good guys and the terrorists are the bad guys. It’s not like there’s a shortage of stories that fit the bill.

Another said:

The message is clear enough, for anyone who wants a piece of it; Americans are tired of limousine liberals making their moral judgments for them…. This is particularly true since the limousine liberals in question don’t seem to have any morals themselves; All that’s needed to confirm that has to the latest tabloids.

And another:

At some point, the studios are going to realize that their declining revenues are somehow tied to their poor judgment in selecting targets to bash.

There were many more, but you get the idea.

I can appreciate the political landscape doesn’t offer the right much in the way of encouragement right now, and reflexive culture-bashing is a reliable staple for conservatives, but this excessive gloating over a movie having a bad opening weekend seems terribly misplaced.

I’ll be the first to admit that I know very little about how Hollywood works, and why some movies do better than others. Maybe “Lions for Lambs” wasn’t marketed well. Maybe people don’t like Tom Cruise anymore. Perhaps, given Americas’ anxiety over the bloodshed in Iraq and Afghanistan, and recent news coverage of Bush administration torture policies, movie-goers just aren’t emotionally prepared for films like these.

Or maybe the movie just isn’t very good, which is why people didn’t go to see it. Rotten Tomatoes is a great site that collects movie reviews from across the country, and gives every movie a score between 100% and 0%, based on the percentage of critics who liked the film. The higher the score, the more critics gave a positive review. “Lions for Lambs” got a 26%. Among the top critics at major news outlets, the number drops to just 16%.

In other words, movie-goers skipped a movie that the critics widely panned. Maybe, just maybe, this explains why it didn’t do well on its opening weekend. It’s not because Americans think Hollywood “hates America,” but rather because adults who see serious dramas care about critics’ reviews, and this one got slammed.

Just a thought.

Simple – for me, at least – I will not pay money to see Tom Cruise in ANY movie. I can’t stand him.

  • “but this excessive gloating over a movie having a bad opening weekend seems terribly misplaced.”

    Well how would you feel if you went to bed every night and ot up every morning depressed. These sad assholes are grasping for anything no matter how irrational.

  • How do they explain the success of “Sicko”? Of “Good Night and Good Luck”? “Syriana”? “An Inconvenient Truth”? One miss doesn’t prove the rule.

  • “Americans are tired of limousine liberals making their moral judgments for them….”

    …as well as the private jet setters with carbon footprints that are many times the typical American’s!

  • How do you win a Global War On a Psychological State (or a Nefarious Tactic, if you prefer)?

    How apropos that it is now the subject of fiction. And exactly what is the “progressive” approach to winning this Global War On Everything?

    Well, what does that progressive champion, Hillary Rodham Clinton have to say about it?

    You know finally it comes down to whether we can win the war on terror, not just the battles, and that requires we face squarely our longer-term challenge of putting the US on the side of dignity and progress and making it clear we do oppose tyranny and violations of human rights.

  • “How do they explain the success of “Sicko”? Of “Good Night and Good Luck”? “Syriana”? “An Inconvenient Truth”? One miss doesn’t prove the rule.”

    Ah, but you see, if you ignore the success of those movies, or if you just casually dismiss them as ‘in the past’ and so irrelevant, because you really, really don’t want to have to think about how it makes your entire theory look patently silly, then it’s easy.

    If you’re a wingnut.

  • I think they are trying to blame the losses for the wrong reason. Simply put: The public at large suffers from Iraq fatigue and they just want the whole mess over with, so they aren’t in the mood to shell out money to watch another 2 hours of it. I don’t think it has a thing to do with ideology: They just don’t want to hear about it anymore. Look how long it took after Vietnam was over before Vietnam-related movies started to get traction. With a tragic mess such as the Iraq war is, moviegoers seek escape, not reminders. Hollywood should have seen that coming as pretty much every Iraq related film or documentary (except for Farenheit 9/11, which came out so early in the conflict that the real fatigue hadn’t replaced the outrage) has underperformed.

  • Maybe just sitting through 2 hours of how conservatives screwed out country up depresses people.

    If it was something empowering that got you ready to do something, like a Michael Moore movie, people would go. If it’s a morose movie with Tom Cruise depicting one of you smarmy right-wing assholse with his face all over the screen for two hours, people don’t want to go to it.

    I personally would rather see Bee Movie, American Gangster, or Fred Claus. I already know plenty about what the conservatives have done, but it’s not like I want my every waking hour to be about thinking about it.

  • Ooh, Ooh, let me play the “Logic as Taught by Wingnuts” Game!

    Slate.com, one of those pinko lefty web magazines, reviewed the movie and said:

    Lions for Lambs will no doubt be ridiculed for its pie-in-the-sky leftism, but the movie’s view of American politics is muddled and, at times, cynical. Streep’s character stands in for “the media,” apparently an undifferentiated mass of cowardly suckups churning out glowing profiles of the power elite. Malley regrets his former students’ decision to enlist, but his dewy-eyed praise of their courage, along with his vague exhortations to “get involved,” understandably inspire the frat-boy slacker to consider signing up himself. And when Todd asks his teacher why he should spend his life trying to make the world better when it probably won’t make a difference, Malley’s response is a wan, “At least you can say you did something.” Now there’s a rallying cry! Have we really sunk so far into post-Reagan anomie and liberal self-loathing that even a college professor played by Robert Redford isn’t allowed a moment of good old-fashioned hope?

    So the real problem, clearly, is that the movie was not progressive enough! It was not unambiguously liberal in its world view. It was not uplifiting utopianism by liberal icon Robert Redford.

    Nyah nyah, conservatives. We lefties stayed home because the film was unsatisfying and dull for progressives – it has nothing to do with your theory of box-office politics.

    That’s my story based on wingnut logic, and I’m stickin’ to it.

    Gee, that’s kinda fun. Can I be Prez’dent next?

  • “Perhaps, given Americas’ anxiety over the bloodshed in Iraq and Afghanistan, and recent news coverage of Bush administration torture policies, movie-goers just aren’t emotionally prepared for films like these.”

    I find this statement fits my personal opinion most accurately. When I watched Sicko and An Inconvenient Truth, I felt like I learned a lot about the issues discussed that I didn’t know before. Concerning the “War on Terror”, however, I sit at this damn computer every day and read the latest bad news, and read detailed analyses of how bad it really is. I can’t imagine a movie on these topics teaching me anything new.

    JRS Jr wrote: “…as well as the private jet setters with carbon footprints that are many times the typical American’s!”

    You know, if you’re just going to cut and paste your tired, overused observations from your previous blog comments, we’re going to just cut and paste our old responses to you in the same way.

  • Well, I saw “Bee Movie” last weekend with my 8 year old son and even he understood the underlying message of the movie (little things can have a big impact on the world around us). This also sparked a conversation between us about taking care of the earth and not trying to take short cuts for so-called rewards; for every action there is a reaction, etc. Hopefully, he will help to spread this philosophy to his friends at school thru his own actions. So, sorry to say, it wasn’t an anti-war movie but it certainly had some things to say about the environment. Do you think the conservative blogs just missed the movie? or think that even future voters cant learn something? So, let them have their little moment of schadenfreude. It’s not all (gasp!) about making money..

  • “This is particularly true since the limousine liberals in question don’t seem to have any morals themselves; ”

    We’re so used to this kind of bashing that we don’t even react anymore. We are called traitors, unAmerican, godless commies, socialists, elitists, immoral, cowards, hippies, murderers (re: abortions), unpatriotic, and slackers every single day on hate radio, and in the right wing blogs and press. And nobody bats an eye. But if Moveon.org has the temerity to make a disparaging remark about a certain general, all hell breaks loose and even the Senate has to get into the action to condemn the perpetrator.

  • Far-right blogger said:

    Memo to Hollywood…we don’t hate America as much as you do. Want to make some money? Make a movie where Americans are the good guys and the terrorists are the bad guys. It’s not like there’s a shortage of stories that fit the bill.

    As far as the movies go, and as another commenter noted, there’s Sicko, of Good Night and Good Luck, Syriana, and An Inconvenient Truth.

    Also– maybe if the right-wingers would be good guys, they would be more succesful in American politics.

  • God these people jump at anything to justify their flawed positions. Being that a majority of Americans are against the occupation and against torture etc. then movies that cater to that position would be more popular not less. Note to wingnuts: It’s just not that good of a movie according to reviewers and others opening at the same time were more popular. It has nothing to do with your unpopular and unsupported world views. 9/11,9/11,9/11,9/11,9/11…satisfied?

  • If anyone really knew why a movie becomes a hit or doesn’t, he or she would be very rich and all movies would be hits.

    Even the biggest hit only attracts a small portion of the population, so making generalizations about why is a preposterous waste of time. Which explains why the wingnuttia are at it again. Do they sleep with a copy of Michael Medved’s Hollywood v America?

  • I’m guessing that none of the rightie blogs bothered to note that the movie just plain sucks, right?

    Also, Metacritic is another great site that compiles reviews on movies, TV, books, games, music and DVDs, on a 1 – 100 scale, as well user ratings.

    It’s listed as a terrible movie there as well.

  • If you look at the plot of “Bee Movie,” how could it be anything other than a lefty flick? A young bee attempts to shake up social norms by challenging what is acceptable behavior and takes off on a journey to discover the world only to find that humans exploit bees and sues the entire human race (tort reform! tort reform!) and wins! I guess lefty idealism did triumph at the box office after all, it’s just that not having a case of 9/11 Tourrette’s allows the movement to speak about topics other than all terror all the time.

  • Where’s Tom when you need him ??

    Can someone explain to my why a forth is considered a flop ?? It brought in $6.7M and it’s still considered a flop, WTF ?? Are the salaries so bloated that this number is bad ?? Tom ??

    Next point. Does this idiot, “Americans are tired of limousine liberals making their moral judgments for them….” not get that the ‘limousine liberals’ already make those choices. Seriously, if the town is run by liberals, how can any movie not have liberal approval ?? They can’t have it both ways.

  • The ads I saw for “lions for lambs” feature Tom Cruise getting in someone’s face and very dramatically yelling at them “Do you want to win the war on terror or not?”

    From that snippet I took it that the movie was about a wingnut (Cruise) who was basically a Cheney caricature, which made me want to go see it about as much as I want to go get a root canal.

  • I saw “Lions for Lambs” and thought it sucked. It just wasn’t a good movie. It didn’t seem to be “progressive”. The TC character made his neocon points without effective counter.

  • Repeat after me: The Right is wrong! The Right is wrong! The Right is wrong! The Right is wrong! The Right is wrong!

    These morons could screw up a wet dream, you know?

  • Scott W – it is considered a flop because Cruise, Redford and Streep usually each can open a movie at double that. More important, it cost $35 MM to make, and openingat $6.7 with bad reviews means its going to have trouble breaking even.

  • Can someone explain to my why a forth is considered a flop ?? It brought in $6.7M and it’s still considered a flop, WTF ?? Are the salaries so bloated that this number is bad ?? Tom ??

    Never fear – TC is near. 🙂

    The opening was what was expected, here in Hollywood, given the “tracking” the studios do. It wasn’t expected to do a lot of business, which is why Redford was only able to make it “for a price,” which had him complaining in his LAT interview about having to “do Afghanistan” outside of Santa Clarita.

    For what it is, for what it was made for, for what expectations were, it’s actually performing to plan. If none of the above makes sense, that’s “Hollywierd logic.”

    Once again, The Right is wrong! The Right is wrong!

    As usual.

    I remember this past week at some site, the righties were going on about all the “overpaid” screenwriters who could get “a whole $21,000 for a 30-page script!” And thinking that was a lot of money if you got to do ten (of course, no one does, which is the point of things).

    I’m at the point I can’t even be around them. I just want to hit them, knock them down and then kick the dog-poop out of them.

  • Mr Cleaver,

    I’m sure they feel the same way about you.

    I still miss tolerance and wisdom.

  • Jen Flowers:

    About ten minutes after I wrote that, I got an e-mail from a friend with this quote from Noam Chomsky in it:

    If we don’t believe in freedom of expression for people we despise, we don’t believe in it at all

    Further proof if proof was necessary that being a good guy is hard. No wonder the Righties never win and we struggle with our consciences. Definitely “food for thought.”

  • Gee, that’s kinda fun. Can I be Prez’dent next? — Zeitgeist, @9

    No, but you can have some ice cream, if you say the magic word (hint: it’s “please”) 🙂

  • This movie is a political statement? Bah, I doubt it. It sounds like a boring, talky, stodgy drama.

    Now, let’s talk about Michael Moore’s last movie, and the one before that, and his next one. THAT guy makes movies that are political statements. And Al Gore’s last movie, there’s another one.

    There’s some guys who know how to sell movie tickets. I’ll bet their movies blew away Redford’s latest bomb.

  • I have to admit that I wanted to see this movie about as much as I wanted to see the Dallas Cowboys win yesterday–which is about as much as I’d like to see a third Bush term. It just looked predictable, dull and utterly swollen with self-righteousness.

    The Angelina Jolie movie about Daniel Pearl seemed like a much better film–and I didn’t want to see that either. Too depressing. Ditto “In the Valley of Elah,” though that’s one I think I’ll Netflix eventually. The common thread is that “real life,” as seen in the news and filtered through our horrendous media, is plenty depressing enough; I want my entertainment intelligent-escapist, thank you very much.

    Tom C wrote:

    Further proof if proof was necessary that being a good guy is hard. No wonder the Righties never win and we struggle with our consciences. Definitely “food for thought.”

    An important reminder of a hard political truth. We progressives sometimes castigate ourselves and/or are blasted by the MSM for our seeming inability to articulate a simple message. The problem, of course, is that this is not a simple world–and the disaster of the last seven years should be indication enough of what ensues when a government tries to proceed as if it is.

  • I appreciated the challenge for each of us to live more consciously, and agreed with most of the opinions in the film, but the method Redford used to get these points across was so offensive, I found the movie unwatchable. For a my description of this dangerous film (though not politically), check out my review HERE

  • I’ve got to second the first commenter. As much as I might have wanted to go see this movie I’m in no way, shape, or form going to support Cruise.

    I’m not helping funnel any money into the Scientology coffers if I don’t have to; thank you very much.

  • The TC character made his neocon points without effective counter.

    Too many movies that try to be critical of evil or have a good message are like that. They present a real dilemma in which the evil choice looks good to a lot of people, but they don’t spell out for those people why that choice was wrong. They let the good guy win, and then leave it for us to figure out for ourselves.

    A Few Good Men is a great example. I could think up at least a few other off the top of my head.

  • And the funny thing to me is that Tom Cruise, twenty years ago, starred in the movie that epitomized the foreign policy of Reagan’s America:

    http://www.youtube.com/watch?v=VN8ze3S0Uj8

    My favorite quote from a wingnut:

    “This is particularly true since the limousine liberals in question don’t seem to have any morals themselves; All that’s needed to confirm that has to the latest tabloids.”

    Speaking of morals, how about this guy?:

    http://www.thesmokinggun.com/archive/1020051delay1.html

    Or this guy?:

    http://sethhettena.com/blog/?cat=6

  • 2Manchu, what does Top Gun have do to with Reagan’s foreign policy?

    There wasn’t even any foreign policy in that movie.

    Do you think that jocks or motorcycle rebels who become cocky fighter pilots = Reagan foreign policy, or that having fighter jets and an ace fighter jet pilot training program = Reagan foreign policy?

    I think Maverick fought Migs a couple of times in Top Gun. The Migs crossed out of their territory into our territory, or fired on boats/aircrafts, as I recall. Do you think we were not in the Cold War when we had Democratic presidents in the White House? Seems to me that when foreign hostile militaries engage in hostile acts that effect our interests, it’s a pretty common sense thing to respond to those acts, and it has nothing to do with ideology.

    And if you think being cool and being in the military have to do with being a Republican, you’re really just imagining it, and there are few other people like you, I’m not sorry to say.

  • Maybe it’s militaristic propaganda, and maybe in the background of the Cold War it tends more to be Republican propaganda than liberal propaganda, but Top Gun is really light on the ideology, and I think you’ll find it’s a movie for everybody. A lot of people like Top Gun and I think if you ask most people (except for Republican fanatics) they won’t think they’re getting a conservative lesson from the movie. It’s more about the Navy and about Maverick’s personal struggle than it is about fighting the Russians.

  • “And the funny thing to me is that Tom Cruise, twenty years ago, starred in the movie that epitomized military machismo:

    http://www.youtube.com/watch?v=VN8ze3S0Uj8

    There, hopefully I fixed my comment.

    Jesus, try and crack a joke around here, and I get my fucking head bitten off.

    I should have said “Red Dawn”, or that horrible ABC miniseries “Amerika”, but Tom Cruise wasn’t in either of them, so my apparent sorry attempt at humor would have really backfired.

    I’ll do a better job at fact-checking next time.

    Swan, I was in the Army, and was neither cool nor a Republican.

  • I’m not saying Top Gun doesn’t glamorize the military a little bit, but if you think it has to make people feel guilty for being in the military to not be a conservative movie, you’re going too far.

    Goose’s death, too, is one of those big emotional moments from American pop culture. The list of things from TV and movies that even kinda get to me is very short, and I think for many other people, Goose’s death is one of those scenes that kinda get to them. There’s no “but he was doing it in the service of his country and an incredinly noble, anti-communist cause” propagandistic punchline after that, and including such a real death and a death that we’re set up to have really get to us isn’t exactly rah-rah let’s-go-to-war Cold War cheerleading. If anything, the message from Goose’s death is just that sometimes life isn’t what we want it to be, and that the necessity of war has unfortunate costs. I bet if you learned about the people who wrote/directed/produced the movie, too, what you’d find out would support this– you’d find out they were just trying to make an exciting movie that would sell tickets, and that none of their careers have been about conservative propaganda.

    The problem with A Few Good Men is that there are soliloquies in that movie about how noble Marines are for “standing on a wall” to protect us, and how we can count on them to do so, and about how military necessity justifies terrible things. The lawyers are introduced to us as cynical lawyer types who, true to the movie formula, shed those feelings to win the case only slowly and grudgingly throughout the film. No one answers Colonel Jessup with a clear, “Military necessity doesn’t require doing reckless, unnecessary things. It doesn’t require you to stupidly, violently haze someone and thereby accidentally cause his death.” The Marines and the Army can be plenty tough in training their soldiers without doing things like stuffing rags in their mouths, which two brains cells will tell you might suffocate someone. Somebody could have said that military leaders, despite military necessity, do not need to be unreviewable, and events like this show why. There are plenty of other guys out there who can command troops, and who will have the judgment to not do stupid things. But nobody- not even the lawyers- say all this. Jessup gets to scream his justification about how he’s the only one standing on a wall to face the badguys, how toughness requires extreme things, and how he thinks you have to be a pussy to be criticizing him. If all the kids who saw that movie got to hear a retort to that, it was only from their parents on the car ride home- it wasn’t in the movie.

    I don’t think the people who made the movie were right-wing, I think they were just careless. Also I thinnk some demographics of really idealistic people may expect- more than the times justify- that other people can be counted on to see things their way as easily as they can, and will figure everything you’ve figured out about X just by seeing X like you did. Well, that’s ignoring a lot- it’s ignoring that your educations and upbringing and experiences may have been very different, so your audience may bring almost a whole different set of tools to viewing the work of art you’re showing them.

    2 Manchu wrote:

    Swan, I was in the Army, and was neither cool nor a Republican.

    Well, I definitely wasn’t accusing you of being cool, but a few people think that being a Republican has to do with being cool (which is why I wrote the sentence I did about ‘cool’ in my Top Gun comment- funny you should respond to that the way you did, though, isn’t it?). But to more directly respond to your statement, ‘Yeah, right.’

  • but a few people think that being a Republican has to do with being cool

    Republicans think it’s cool, not me, that is. It’s funny, your assuming that I was saying Republicans are cool is just what a vain Republican would assume, isn’t it!

  • Jesus H. Christ, Swan … if no one responds to your comment, there’s a reason.

    But please–feel free to continue to have conversations with yourself all over this blog. After all, you seem to be the only one interested in replying to your posts.

    Sheesh.

  • Well how would you feel if you went to bed every night and got up every morning depressed.

    You mean the way I’ve been feeling since an illegally installed drunken cokeheaded Republican’t got installed into the pResidency in 2000? Or the way I’ve been feeling since the months before that when the so called liberal media spent every waking moment trashing Gore and praising Putsch?

    I can’t wait for the next Reich wing ditto monkey to get in my face with any of their Republican’t kimchee. Funny thing, though – other than some mouth breathing moran who almost ran me off the road yesterday, I haven’t had any problems with them. Almost like they’re bedwetting chickenhawks or something like that…

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