The Writers Won – And So Did You

Guest Post By Thomas McKelvey Cleaver

[Editor’s Note: Way back in November, when the Writer’s Guild strike first began, Carpetbagger regular Thomas McKelvey Cleaver was kind enough to write a guest post from an insider’s perspective, offering valuable insights on what the dispute is all about. Now, with the strike coming to a conclusion, Tom is back to explain what happened and put it in a broader context. -CB]

I’ve posted my immediate response to the news of the settlement of the WGA strike in yesterday’s End of Day thread comments. I’ve had a few more hours to think about it, and I think there’s more to this strike than just that we didn’t get smacked around like we have for the past 20 years.

The disastrous 1988 strike made folks like me entirely gun-shy. I can tell you for an absolute fact that my life would be significantly different today had that strike never happened, and I had been able to do the things I was set to do at the moment that strike came along and turned my world upside-down. And having it end in a way that made those things impossible to ever put back together, demonstrating that we writers really were like Humpty-Dumpty, had its intended effect.

Like most of the rest of the membership, I was happy to take the crumbs the other side offered over 6 different contract negotiations in the years since. No, strike that, I wasn’t happy at all. I was mad as hell, but one thing writers in Hollywood learn soon is that if you ever let The Other Side know how you really feel, they’ll go find ten people who will toe the line, and you will not only be fired from what you’re doing, it will be a long time before you do something else, and when you do it will be for less money. “You’ll never work again in this town!” may be thought of as a joke by people who aren’t here, but everyone who is here knows it is real.

Over the years, when I ran across writers who would argue for a “hard line” with the companies, I would think of them the way I did the morons dumb enough to stand up in the middle of a firefight in Vietnam.

As I look at things today, I think it’s clear that my fellow members of the Writers Guild and I weren’t the only union members who have thought like this over the past 25-30 years.

Unions have been whacked and whacked bad. We’re down to somewhere around 15% of non-public employees being members of unions, and too often nowadays it seems like union leaders are merely “rearranging deck chairs on the Titanic” when you look at what’s going on with such former powerhouses as the United Auto Workers, or the Steelworkers, or any of the other great unions who created New Deal America and spread middle class affluence further through society than it had ever been spread before in any society anywhere on earth in history.

Nowadays the airline unions give up pay increases and even agree to give-backs, only to find that the incompetent morons who put the ship onto the rocks are the ones reaping multi-million dollar bonuses when the efforts of the workers results in the company coming back from the dead. And when those who did the heavy lifting come around and ask for their effort to be rewarded with the promised restoration of benefits and paychecks, the thieves look at them like they’re fools (which they were, to ever make the agreement in the first place, as it always seems to turn out).

Grocery store unions give up their future and agree to allow new workers to be hired at lower pay rates, to keep what little the original workers had, and then watch while the company management makes conditions of employment so onerous that within a matter of a few years all the old employees are gone, unable to stand it.

And while that is going on, the “new” workers, the “knowledge workers,” are getting the equivalent of a 1914 Henry Ford work contract: “worthwhile pay” with no benefits, no security, no future other than that of being a “permanent temp,” while they work at companies run by “progressives” who donate regularly to the Hillary Clinton wing of the Democratic Party. Trust me, you may think that the names “Yahoo!” and “Google” mean having nice cafeterias serving gourmet food and other little perks, but the working hours and the benefits for the “permanent temps” who constitute 80 percent of the workforce make what old Henry Ford was offering a century ago look good in comparison.

As I said yesterday, I was not one of those who voted for my union’s current leadership when they ran for office, because they were obviously “strike happy.” A vote for Patric Verrone and his list of supporters was a vote for a strike. And anyone who lived through 1988 – 90 percent of those who did are no longer working in the field – never wanted to go through that again and lose what little we had left.

Not only that, but the kind of member the union’s been getting over the past 20 years in greater and greater numbers, the Ivy Leaguers who live right up to my old friend David Freeman’s description of Hollywood as “the last respectable outlaw profession for upper class white boys,” aren’t exactly the kind of people you expect to find on a picket line wielding baseball bats. “Bourgeois Bolsheviks” is what I’ve called them. More than once.

That’s not to say that all the reasons to have a strike weren’t good and solid reasons. The pinstriped pimps on the other side of the desk really did want to take away what little we had left, and since they were intergalactic corporations for whom their Hollywood studio arms were merely disposable little widget-makers in the big Widget Factory, they were likely able to get away with it. Threats to hire non-union writers were real – there are 100,000 people come to Los Angeles every year to become writers, and the union takes in around 500 or so in a calendar year. Those are long odds, and it’s true there are those who would be happy to take a shortcut to “success,” even if it meant stepping on others and led to a success that wasn’t going to be all that successful.

And so we went on strike. I was definitely a reluctant warrior.

And then things happened that had never happened before.

I recall about two weeks into the strike, driving along Ventura Boulevard in Encino on a very rainy morning, and the traffic was godawful (even more godawful than it usually is with all the over-development going on there). I eventually got down to the site of the delay and it was a bunch of WGA pickets in front of a production company. In the rain! Without umbrellas! This from a union that called off pickets 20 years ago on the threat of a 20 percent chance of rain.

And people were regularly manning picket lines outside the major studios. Every day. Big-Time Name Writers on the lines. Big-Time Name Writers on the lines encouraging those who aren’t (and may never be) Big-Time Names. The guys who created great shows like “Heroes” and “The Shield” leaving their shows and letting them die, for the strike, for the “little guys.”

And then there were the actors. Everybody in Hollywood’s got a “flaky actor story.” They’re the union with the biggest membership and the greatest unemployment. The people who dislike themselves so much they want to be someone else. Don’t get me wrong, I love actors. I am a writer who speaks the lines I’ve just written aloud, to be sure a human being can “wrap their lips around the words” as my old friend Fred Ward explained it to me, but when you watch a scene where the words not only get said right, but that talented artist brings something out of themselves to illustrate points you weren’t even aware were there until they show you their presence, when that scene on the page becomes three-dimensional … well. God love actors.

And God love the Screen Actors Guild. It was the actors who made sure the pimps understood that it wasn’t just the writers out there. It was A-list talent like Tom Hanks and George Clooney and Laura Linney, and you name them, who came out and stood on the lines with the not-so-famous. More importantly, it was the A-listers who told Hollywood they were OK with not having a fun party at the Golden Globes. That made the Big Folks realize this was serious, that they were going to have to deal with “the crazy writers” if they didn’t want their industry to fall apart.

Basically it came down to union brothers and sisters standing on the lines in the rain and cold (OK, a Southern California winter at its worst isn’t like Chicago, but the New York folks suffered and it was cold enough here a couple days I put on my long johns). All those “upper class white boys” (and girls) turned out to have better Teamster guts than the Teamsters had.

In the end, the other side really did lose. All their attack dogs couldn’t run us off. Ol’ Massa had to come down off the portico and talk to the house slaves and the field slaves and recognize they were indeed human beings and they weren’t going away.

What did we get? We got a percentage of the frickin’ gross. No more “producer’s net profits,” which Eddie Murphy once very rightly called “monkey points.” No more having to sue the bastards for ten years like James Garner did 20 years ago to get Universal to admit that “The Rockford Files” had always been profitable.

It’s not a big percentage, but it’s not going away. Ever. 100 years from now, writers using mediums for story telling we can only guess at (and likely guess wrong) will be getting paid as full participants in the creative process because of this strike.

Patric was right when he said yesterday that this is the most important contract the Guild has signed. I would say it’s the most important contract since the first contract in 1941, where we forced the pimps to recognize we existed. Now we have not only the right to exist, but the right to be paid appropriately. It’s still going to be up to us in three years to make sure this sticks, but I think it will.

2008 is an interesting year. Hope went out of our national life 40 years ago when Robert Kennedy and Martin Luther King were assassinated. We’ve been battered as a people to the point where a major candidate for the party that used to be The Party of Hope demonstrated her seriousness as a candidate by refusing to offer something as worthless as “hope.” (The other candidate came out and marched with us for a few hours. I’m glad I voted for him.)

But Hope is battering its way back into our national life. All kinds of things I had given up hope of ever seeing again are showing up – personally, politically, professionally.

What we really won in our strike is the right to hope, to believe that we can stand together and make things better. Now let’s restore it everywhere in America.

Beautiful post, Tom. Thanks — and congrats!

  • I’m pretty sure that all the major corporations saw your strike as a threat to them, no matter what industry they’re in. When corporations have to bargain with their workers, all the workers win. It’s like the old saying: “Unions Bargain or workers Beg”

    Thank you for taking the fight to them.

  • I can believe the writers won, but I also believe this doesn’t change my status at all. Well written, but it sort of went overboard near the end.

  • From a labor point of view, I’m glad the writers’ won. From a consumer point of view, it doesn’t matter to me. How many lousy sitcoms or formula dramas can anyone take? Most of TV and a lot of the movies are driven by predictable cliches, plots and characters that it’s hard to get excited about the fact that TV and movies will return. I don’t think I ever missed them. Did any of you?

  • Congratulations to you and all the writers, Tom; and thanks for taking the time to explain clearly and eloquently what it’s all been about! (Well, I guess you are a writer!)

  • Congratulations.
    But I noticed you used the dirty “p” word up above…
    Are you trying to get yourself fired?

    .

  • Racer X said:
    I’m pretty sure that all the major corporations saw your strike as a threat to them, no matter what industry they’re in. When corporations have to bargain with their workers, all the workers win. It’s like the old saying: “Unions Bargain or workers Beg”

    I had the same throught at first. But then I realized that the writer’s strike was unique. The big actors refused to cross the picket lines, so the corporations couldn’t use replacement workers. Workers in other industries don’t have that advantage.

    I suppose we could hope that the “beautiful people” who tell us what clothes and accessories are “cool” can proclaim that anyone who shops at Walmart will never be invited to their parties. But since Walmart is the only store that’s left in a lot of the country, people won’t have much choice. Same with airlines — passengers don’t have a lot of choice in chosing an airline. I had such a horrible experience the last time I flew with United that this Christmas I chose to drive from Maryland to Wisconsin. But next time I travel to California, I’ll be forced to fly and will have to chose between the few airlines that fly the route I need.

    I looked at the Democratic candidate’s websites. Clinton’s site says nothing about Labor. Obama’s site says he will work to strengthen worker’s rights to unionize and to strike. But it doesn’t say how he will get members of Congress to vote against the interests of the corporations that give them so many bribes campaign contributions.

    We’ve got to get worker’s rights on the agenda. We need to ask the candidates:

    — What will you do to strenthen Labor?
    How will you overcome the BRIBES in Congress to restore worker’s rights?

  • Thank you, Tom, and good luck. I wonder how you (plural) feel about Stewart, Colbert, and others who did shows without writers.

  • Congratulations and THANK YOU! Your win will help make people see unions as relevant again, and that’s a win for everyone.

  • Maybe experiences such as this will finally demonstrate to the consumers of our TeeVee culture that actors and special effects are nothing without writers.

    Maybe producers will finally realize that the solution to a sinking (or non-growing) audience is NOT to fire the writers and hire a mega-star for cameos.

    One can always Hope. Tom, thanks for hoping on us (sounds dirty, I know, but I mean it).

  • Hurrah for the few white collar unions! Advertising copywriters need one, too. That’s a business where the copy makes millions for advertisers, and unemployed copywriters walk the streets while their commercials (or print ads, or direct mail pieces) continue earning for the conglomerate bosses.And it’s a business where you’re washed up at 50 because some bean counter decides you’re too old to have ideas any more. The real reason? Older guys tend to earn higher salaries.

    Organizers, anyone?

    Crankily yours,
    The New York Crank

  • What a happy day to see the rights and rewards due to the people who actually do the work expand and modernize rather than constantly roll back from a high watermark set decades ago. Scheming executives and their million dollar perks are nothing without the minds and bodies that actually do the work of the company. Glad to see Reagan’s vaunted trickle-down effect actually taking place for once, though trickling down is not a natural effect, it’s one that has to be forced to happen through strikes and other contested actions.

    So Tom, how does one land such a cherished gig as guest posting on the Carpetbagger Report? Envious minds want to know.

  • In answer to questions from several posters:

    I’m fine with Stewart and Colbert doing what they had to do. In the bigger picture, losing those shows would have been a Serious Loss for the larger fight. They both ponied up money from their own pockets to pay their writers while they were on strike, and would have made the same agreement with us that David Letterman did, had they owned their own companies as he does. While I don’t personally agree with letting Jay Leno off, I can certainly agree with the idea that it’s better to have him inside peeing out, than outside peeing in, given how big and influential he is. All of those guys, and David Letterman, did a wonderful job of keeping the public on our side.

    As to the comment about the quality of shows, I agree – you gotta kiss a lot of frogs to find the handsome prince or the beautifl princess. It’s been that way with art ever since the first guy tried to paint an animal on a cave wall. Most of what tries to be art is crap. But I think “The Shield” and “Mad Men” and “The Sopranos” and “Breaking Bad” and “Deadwood” and “Damages” and “The Closer” – all of which grew from shows like “Hill Street Blues” and “NYPD Blue” and “The X-Files” and others – more than make up for the others (a list long enough it would eat Steve’s bandwidth if I posted it).

    And I’ll plead guilty to a large dose of optimism at the end. Optimism. A feeling I had forgotten existed. Feels good.

  • The New York Crank is dead-on right about his comment, and it’s a comment that’s entirely accurate, too. I am one of the few guys “over 45” I know who didn’t make them a bazillion bucks before I was 40, who is still in the game – and it’s a daily struggle. It’s a killer to finally arrive at the age where one has experienced enough observation of life to have something worthwhile to say, and be told one is “too old” by some semi-literate 20-nothing.

  • Tom: I have always loved the way you write, and I especially appreciated your post. It feels good to win one once in a while, and I think we all won this time.

  • Again, thanks Mr. Cleaver.
    And thank you Mr. Benen for the bandwidth & audience donation.

    Unions are the only tool in the shed for us working class folks.

    Perhaps we (through our unions & government) can one day influence our neighbors (hello Mexico!) to allow workers some basic rights. The road to national wealth is through the ordinary citizens, not through the wealthy.

  • Thank God. Reality TV was supposed to save the networks from having to be fair to the writers. If I wanted reality, I wouldn’t be watching television.

  • Thomas, it was kind of a cheap shot at Hillary Clinton — when she supported the union. Some folks in the industry asked her not to advertise on certain television stations, to show suppport for the strikers, so she didn’t. She sided with the writers and then she gets this slap in the face? Geezz

    BAC

  • Yay, Tom!! I have been grateful to you for defining the strike for us in the first place and knew that you would put this in perspective rather than soundbite. Kudos.
    For all the crap out there- and there is alot of it- there are so many good shows and good movies that would not be were it not for someone’s vision and ability to tell a good story. How a studio can try to justify NOT paying writers when they would have no product without them is really hard for me to fathom. I for one, can barely stand reality tv, let alone American Awful, so I am thrilled that scripted shows will be back. I hope you all will finally be able to reap your well deserved profits and benefits!

  • Hillary’s statement of support came after that of Obama, and wasn’t accompanied by any kind of action. As far as advertising, that’s something most people (certainly the WGA members I know) were unaware of. As far as the Hillary Clinton wing of the Democratic Party is concerned, the two guys the AMPTP hired to smear us were both long-time Clinton apparatchiki – Chris Lehane being the worst of the two.

  • Thank you, Tom, for the insider posts (and the quality of your comments in general). I’m forwarding it to my daughter, who sometimes wonders what her grocery workers’ dues are actually getting her…it’s difficult NOT to be dispirited, after the last few decades. Let’s hope this heralds a turn in the tides.

  • Congratulations, Tom. I’m glad your union officials, the ones you so doubted, came through. Good luck on your next writing project.

  • Great post, Tom. Fascinating. Thanks.

    Good to see the Writer’s Guild getting a cut off the top line, not the bottom. About time.

    Someday, maybe the public will appreciate the guys and gals who actually create the stuff they see on the screen.

  • While I commend you on your victory, and am always heartened by any news of labor strength and solidarity, it seems to me this was an almost entirely anomalous event as labor actions go, and therefore unfortunately less a harbinger of future labor successes than a sort of improbable, noble, and heroic defense of Helm’s Deep. Sad to tell, there’s no Frodo carrying the ring of immanent contradiction into the very heart of the beast. This strike occurred in the most public ‘industry’ in the whole economy, an industry which extends intentional tendrils into virtually every consciousness in the world. It took place in front of the very homes of the cameras reporting on it. It had star power.
    The grocers? Mmmmmm, mebbe not so much?

  • To tom, who said “I don’t think I ever missed them. Did any of you?” in reference to all the Lowest Common Denominator programming, I have to say that I did miss a couple of very smart shows (Pushing Daisies, 30 Rock, My Name is Earl) and will be missing several more smart ones (The Riches, Burn Notice, Saving Grace), since they’ll probably start later than normal, or perhaps even skip a season.

    There isn’t much good to watch on TV, but those that are good are brilliant and compelling. You may not agree with my list, but if you look, you’ll find an equal number of very smart shows that you prefer. If not, that means you’re just not looking.

    The best shows are only so because it begins that way with the written word. However, even “bad” shows employ writers, who still deserve to get a share in whatever success such shows may have.

    I am extremely pleased that the writers did well. I remember reading all those prognosticators at the beginning of the strike, confidently predicting that the writers were sure to fail. I didn’t quite believe it, but it was hard to think of a reason why those who predicted failure were wrong, and so I was apprehensive. I hope all those prognosticators enjoy roasted crow.

  • I’m feeling the hope and optimism also. I’m also worried that this is just a bubble. The rich fat cats are going to push back against any attempt by us to slice out a more fair portion of the pie, and there’s still the real chance that people will just sit down like lumps and allow them to succeed. We have to actually work for it.

    So yes, this victory is great, but we need to build on it. I think Steve #8 up there has some good advice. We need to press our so-called “leaders” on where they stand. We should work on top-down strategies even as we continue the bottom-up strategies.

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